Monday, March 31, 2008

TXT Mob Subpoena in New York Times

City Subpoenas Creator of Text Messaging Code

Published: March 30, 2008
[reposted from here]

When delegates to the Republican National Convention assembled in New York in August 2004, the streets and sidewalks near Union Square and Madison Square Garden filled with demonstrators. Police officers in helmets formed barriers by stretching orange netting across intersections. Hordes of bicyclists participated in rolling protests through nighttime streets, and helicopters hovered overhead.

Bryce Vickmark for The New York Times

Tad Hirsch, who wrote the code to transmit messages among many cellphones.

These tableaus and others were described as they happened in text messages that spread from mobile phone to mobile phone in New York City and beyond. The people sending and receiving the messages were using technology, developed by an anonymous group of artists and activists called the Institute for Applied Autonomy, that allowed users to form networks and transmit messages to hundreds or thousands of telephones.

Although the service, called TXTmob, was widely used by demonstrators, reporters and possibly even police officers, little was known about its inventors. Last month, however, the New York City Law Department issued a subpoena to Tad Hirsch, a doctoral candidate at the Massachusetts Institute of Technology who wrote the code that created TXTmob.

Lawyers representing the city in lawsuits filed by hundreds of people arrested during the convention asked Mr. Hirsch to hand over voluminous records revealing the content of messages exchanged on his service and identifying people who sent and received messages. Mr. Hirsch says that some of the subpoenaed material no longer exists and that he believes he has the right to keep other information secret.

“There’s a principle at stake here,” he said recently by telephone. “I think I have a moral responsibility to the people who use my service to protect their privacy.”

The subpoena, which was issued Feb. 4, instructed Mr. Hirsch, who is completing his dissertation at M.I.T., to produce a wide range of material, including all text messages sent via TXTmob during the convention, the date and time of the messages, information about people who sent and received messages, and lists of people who used the service.

In a letter to the Law Department, David B. Rankin, a lawyer for Mr. Hirsch, called the subpoena “vague” and “overbroad,” and wrote that seeking information about TXTmob users who have nothing to do with lawsuits against the city would violate their First Amendment and privacy rights.

Lawyers for the city declined to comment.

The subpoena is connected to a group of 62 lawsuits against the city that stem from arrests during the convention and have been consolidated in Federal District Court in Manhattan. About 1,800 people were arrested and charged, but 90 percent of them ultimately walked away from court without pleading guilty or being convicted.

Many people complained that they were arrested unjustly, and a State Supreme Court justice chastised the city after hundreds of people were held by the police for more than 24 hours without a hearing.

The police commissioner, Raymond W. Kelly, has called the convention a success for his department, which he credited with preventing major disruptions during a turbulent week. He has countered complaints about police tactics by saying that nearly a million people peacefully expressed their political opinions, while the convention and the city functioned smoothly.

Mr. Hirsch said that the idea for TXTmob evolved from conversations about how police departments were adopting strategies to counter large-scale marches that converged at a single spot.

While preparing for the 2004 political conventions in New York and Boston, some demonstrators decided to plan decentralized protests in which small, mobile groups held rallies and roamed the streets.

“The idea was to create a very dynamic, fluid environment,” Mr. Hirsch said. “We wanted to transform areas around the entire city into theaters of dissent.”

Organizers wanted to enable people in different areas to spread word of what they were seeing in each spot and to coordinate their movements. Mr. Hirsch said that he wrote the TXTmob code over about two weeks. After a trial run in Boston during the Democratic National Convention, the service was in wide use during the Republican convention in New York. Hundreds of people went to the TXTmob Web site and joined user groups at no charge.

As a result, when members of the War Resisters League were arrested after starting to march up Broadway, or when Republican delegates attended a performance of “The Lion King” on West 42nd Street, a server under a desk in Cambridge, Mass., transmitted messages detailing the action, often while scenes on the streets were still unfolding.

Messages were exchanged by self-organized first-aid volunteers, demonstrators urging each other on and even by people in far-flung cities who simply wanted to trade thoughts or opinions with those on the streets of New York. Reporters began monitoring the messages too, looking for word of breaking news and rushing to spots where mass arrests were said to be taking place.

And Mr. Hirsch said he thought it likely that police officers were among those receiving TXTmob messages on their phones.

It is difficult to know for sure who received messages, but an examination of police surveillance documents prepared in 2003 and 2004, and unsealed by a federal magistrate last year, makes it clear that the authorities were aware of TXTmob at least a month before the Republican convention began.

A document marked “N.Y.P.D. SECRET” and dated July 26, 2004, included the address of the TXTmob Web site and stated, “It is anticipated that text messaging is one of several different communications systems that will be utilized to organize the upcoming RNC protests.”

Saturday, March 29, 2008

Re-Search

The students of this class have pulled together some great research in the latest assignments. I thought I would share them here (in no particular order):
great work everyone.

Thursday, March 20, 2008

Mind Maps from Discussion on Bilal Situation


Sunday, March 16, 2008

Art Censorship Controversy = Case Study in Participatory Culture

It has occurred to me over the last week that the ongoing controversy that initially erupted when RPI suspended and then closed Wafaa Bilal's art exhibit would make an excellent case study in participatory culture. The situation has forced people to take a position on issues ranging from censorship and local government corruption to gaming's role in society, and the complexities around symbolic language. The most outspoken (... or the most dedicated ... or the most outraged?) of these people have used the internet to create an ad hoc web of information and communication that is well worth discussing in the hopes that we can learn some things about our culture and the ways in which we communicate. In this blog post (below), I link to many of the nodes on this info-network that have popped over the last week and lay out a trajectory for our case study of this event as an Exploration in Participatory Culture.

Disclaimer
First off, I need to state that in addition to my role as an adjunct arts prof here at RPI, I am also the Education Coordinator (primarily a volunteer position) at the Sanctuary for Independent Media. I have therefore played a fairly active role over the past week in supporting this organization, whose mission I am committed to upholding and promoting. However, I want to make clear that my interest in studying this case as an 'Exploration in Participatory Culture' is separate from my interest in supporting the embattled positions of the Sanctuary and/or the RPI Arts Department.

Some Links
Campus Republicans: The RPI Arts Department: A Terrorist Safehaven | Time Union article: RPI suspends exhibit over terror fears | newsday.com picks up the story | Article at wgy.com | InsideHigherEd.com runs a piece: Art and the College Administrator | freerepublic.com new aggregation site discusses | gamepolitics.com runs an article about Bob Mirch leading a protest against the SfIM | InsideHigherEd.com runs another article: ‘Virtual Jihadi’ Leaves RPI; Controversy Doesn’t | The Schenectady Daily Gazette runs a story Sanctuary displaying ‘Virtual Jihadi’ closed | Free Troy Youtube Channel | Wired picks up the story: Officials Shutter Gallery Displaying Virtual Jihadi Exhibit | gamepolitics.com retraction | Letter from an (Almost) Alumnus | A firsthand account of the exhibit at SfIM (from gamepolitics.com) | Why does this man hate America? — a blog entry from another site | The local alt paper, The Metroland, reports | March 12 Headline on Democracy Now! | rpi freeculture wiki site. | A gamer’s review of Quest for Saddam and Night of Bush Capturing, from a fairly non-biased perspective (if that’s even possible in this case) | Video of the introduction Bilal gave at the SfIM | Free Speech or Terrorism? Video Artist Wafaa Bilal and Rensselaer County Majority Leader Robert Mirch. 1 2 3 4 5 6 | Free Troy Letters Blog | brief article on indymedia.us | Intervew with Bilal on Geeks Are Sexy blog | Youtube Video Response from Local GOP rep |

[a more complete timeline of events & list of links is available at: http://www.dicianno.org/blog What else can we add to this list? If you have found unlisted articles, reviews, opinion pieces, etc... please link to them in the form of a comment. ]

Mapping The Dialogue
In a class currently happening at RPI, in Troy, it would be negligent to avoid studying this controversy and the explosion of citizen journalism that has occurred in its wake. After all, the students in the class, and indeed the professor, fancy themselves amateur cultural critics and citizen journalists (bloggers, podcasters, etc). In a coming class, we will be making some kind of visual representation of the information flow/web in an effort to both ask and answer a number of questions.

Some Questions (more to come)
As aspiring citizen journalists, artists, activists, web2.0 commentators, what can we learn from all of this?

On some level, Wafaa Bilal's goal of sparking dialogue has come to fruition. What are the central issues that come up in the dialogue? Is it really a dialogue? How can we quantify or qualify the dialogue? Are there tangential issues that are less directly related?

What is the scope of the conversation and what is NOT being talked about as much? How does it differ depending on what your looking at )blog vs youtube vs. TU etc)

Does this case study demonstrate the shifting role of the main stream media in our information society? If so, how?

How does public opinion factor in to the equation? What the heck is public opinion anyways?

How is the mainstream (corporate) media informed by citizen journalism, if at all?

What light does this whole situation shed on the relationship between RPI and the City of Troy? Are you aware of any of the history of this relationship?

What does it mean to be a college student in today's "democracy" (disconnected from hometown and not really a citizen of your college town)?

How can we make an accurate and interesting comparison between the Wafaa Bilal incident at RPI and the Wafaa Bilal incident at the Sanctuary? Does the notion of private sphere vs. public sphere factor in to this controversy (with respect to freedom of speech)?

If the 'battle' here is one for public opinion, how do you determine who is winning?



Wednesday, March 5, 2008

First Week of March

This week we are reading a chapter or two from The Tipping Point in which author, M. Gladwell talks about theories of social trends in the context of epidemics (as we usually think of them). On Tuesday, for the couple people who missed class (and the extremely interested public), we watched the film Czech Dream - in which to Czech filmmakers engineer an advertising campaign which fools several thousand people into coming into a country meadow for the opening of a giant awesome hypermarket, only to find that it was a hoax. I have embedded a youtube excerpt of piece below. Students: Please post a response to your personal blogs which addresses both the reading and the film.

On Thursday there is a chance that visiting artist Waafa Bilal will come to our class to talk to us about his work. It will be a great time to ask him questions, but also just to meet him.... as his presence on campus has caused a bit of a stir. See these postings from the college republicans who are apparently a bit freaked out. Our own Emelie, posted a thoughtful response re: Waafa on her blog. Check it out & comment. Again... thursdays visit is not confirmed yet.

Tuesday, February 26, 2008

Links for this week

I mentioned that I would post some links for use this week... here they are:

First off.. here is the video we watched towards the end of class. I think there are some excellent video/animation-illustrations of some of the stuff we have been talking about all semester in this piece. its called: Opening Access; produced by Denver Open Media

Second... there is this link which ties in to our discussion of the readings today. I pulld up this link in class, but didn't go into much detail. please have a look.

Third and last is an update on our group project. Here is the link to the (tentatively titled) Media Map. PLEASE PLEASE EXPERIMENT WITH POSTING SOME THINGS TO THIS MAP BEFORE THURSDAY.

Sunday, February 24, 2008

"Internet Famous"

I came across this Guardian article:
Stars in Your Lap
which was posted to the yahoo videoblogging list today. Its kind of a puffy piece, but does give a little hint as to the ways in which "internet tv" seems to be interfacing with studios and, of course, it name drops all yer favorite online video celebrities. The article also pontificates a bit on the "Youtube Generation" (is that the same as the MySpace generation?? - i am confused!). Regardless... there is interesting reading here about the audience-building in a new-mediascape. enjoy.
Want a bunch more of these types of articles?
check out: http://del.icio.us/tag/vloggersinthenews